"I'm not angry because I'm young
I'm angry because I'm right"
what rain will do to you
a child realizing
four deer eating grass
a child realizing.
the church or the club
I wonder who would do such a thing
I wonder if it is for the same reason we wait to shit
"We are looking for a music museum"
past the deer
Monday, April 25, 2011
Sunday, April 24, 2011
WHAT I MIGHT'VE DISADVANTAGED IN LEANING
it's like the truth's there, mineral
the day is ratty
a yogurt special strains the woman
big arms craddling eight, nine, with a cart
and I think she can overhear, 7-
4- (no, she can't), my sister's discount ID I put in
I am at a pink gate that is very loud without a language
the escape of the medium that's, famously, Chopin's piano, Shostakovich's string quartet,
only the only apolitical space, which means only you can see there
the politic move, that it has not engulfed the [read me] field
this is music
this is Faustus
there is a guy who steps into the garden for salvation
but I step in to present such conditions as I may fail a crop
swallowing chalk to feel my gut settle
is deliberating, a squashling conscription
in the firm sun that while I think you are awful
is through skylights in contempt of rest: how
are you tired how are you not in a bed
you are pretty and, like music, not here
I think when you lie on the couch with your head off
like a cat with spread legs but not that position
you are an angelic and (you are not asleep!) energetic lamb
that has made up hate to call out and to so lose
you get more assumed of the map without growing
you remind that "my how she's grown" is deference
to there being nothing of your haunt of form, of the hung kill
in their like your face
you are assigned an early grave
and you can't eat there
the earth eats you in a bowl
I wish you knew more about forfeiture legality
I pick you up
it's then I wish the sun weren't in the skylights
prompting you lay on your gut which means I had to flip you
and you woke up and didn't grace me immediately
was it ok that Thoreau could see his mom from his spot?
that Percival Lowell had eyes a little fucked
but with his telescope was convinced of Martian agriculture?
Lowell's was a romance, ex:
I see canali.
Because I left them.
the day is ratty
a yogurt special strains the woman
big arms craddling eight, nine, with a cart
and I think she can overhear, 7-
4- (no, she can't), my sister's discount ID I put in
I am at a pink gate that is very loud without a language
the escape of the medium that's, famously, Chopin's piano, Shostakovich's string quartet,
only the only apolitical space, which means only you can see there
the politic move, that it has not engulfed the [read me] field
this is music
this is Faustus
there is a guy who steps into the garden for salvation
but I step in to present such conditions as I may fail a crop
swallowing chalk to feel my gut settle
is deliberating, a squashling conscription
in the firm sun that while I think you are awful
is through skylights in contempt of rest: how
are you tired how are you not in a bed
you are pretty and, like music, not here
I think when you lie on the couch with your head off
like a cat with spread legs but not that position
you are an angelic and (you are not asleep!) energetic lamb
that has made up hate to call out and to so lose
you get more assumed of the map without growing
you remind that "my how she's grown" is deference
to there being nothing of your haunt of form, of the hung kill
in their like your face
you are assigned an early grave
and you can't eat there
the earth eats you in a bowl
I wish you knew more about forfeiture legality
I pick you up
it's then I wish the sun weren't in the skylights
prompting you lay on your gut which means I had to flip you
and you woke up and didn't grace me immediately
was it ok that Thoreau could see his mom from his spot?
that Percival Lowell had eyes a little fucked
but with his telescope was convinced of Martian agriculture?
Lowell's was a romance, ex:
I see canali.
Because I left them.
Thursday, April 21, 2011
THE DOER SPARKLES
hell is some riddled material
you have to set against
to make for had bellwether three pieces that
will need it back to make better
pee, having to having sex
someone had who does (but not both), their
thrill of setting up each other's (your) acquitals
or, hell, both, the sub-dom benign
seat the sink
lean-to leant against as wall
taken up the space
angles again softly gone or the surface held up by
relating or not, to admit, allow calm
a killing whose diseased fear's skipping
and so becomes it, to worry space
hell could be gone or gone
if gone not gone to
but out of body
hell of my gesture past
my given some dress in body length zippers
to undo the sheath and regain it
knowing how delicate you want it to've ended up being
three deer eating grass
you have to set against
to make for had bellwether three pieces that
will need it back to make better
pee, having to having sex
someone had who does (but not both), their
thrill of setting up each other's (your) acquitals
or, hell, both, the sub-dom benign
seat the sink
lean-to leant against as wall
taken up the space
angles again softly gone or the surface held up by
relating or not, to admit, allow calm
a killing whose diseased fear's skipping
and so becomes it, to worry space
hell could be gone or gone
if gone not gone to
but out of body
hell of my gesture past
my given some dress in body length zippers
to undo the sheath and regain it
knowing how delicate you want it to've ended up being
three deer eating grass
Sunday, April 17, 2011
GIFT OF GAB
is a human rest
what's the shape
how will the shape maintain
the order is collapsible
the flex of order's timewise
agreed with more at those meetings
what's the shape
how will the shape maintain
the order is collapsible
the flex of order's timewise
agreed with more at those meetings
Friday, April 15, 2011
THE DIAG AS FAULT
the guilty ill
stole her soc [sosh]
half-mast posts post (their) reasoning
I will starve a monarch
its violence goes into hollows
or in, fills out
inter-penetrational diseased group segment
bitty by shallow contrast commutes your ease
kept up and shortening
what is wrong with your head
that you wear yourself out
before all that need you'd anticipated
but honestly why is the flag at half
without knowing it's mysterious even aggravating religion empty or in clear need of revision
like were it greased less than evenly
stole her soc [sosh]
half-mast posts post (their) reasoning
I will starve a monarch
its violence goes into hollows
or in, fills out
inter-penetrational diseased group segment
bitty by shallow contrast commutes your ease
kept up and shortening
what is wrong with your head
that you wear yourself out
before all that need you'd anticipated
but honestly why is the flag at half
without knowing it's mysterious even aggravating religion empty or in clear need of revision
like were it greased less than evenly
Thursday, April 14, 2011
QUAD
for my mother
some recipe for a run-down
some recipe for a run-down
to heal, cooled twigs down the back flexed
once to pick them and again opposite to receive
with my thumbnail press the fruit's bottom nubs
going largest down, like light in a very good diamond
the bus sun made for such fracture, stops, the peel
bursting stuff were we west and shadowy
you wouldn't see it
and in fact we turn right, and the same pressure
sees out nothing, like painless neck movement
later stiff
when I move against my clothes anywhere
I'm calmed, because of the coincidence of pressure
Monday, April 11, 2011
RIGHT
feces eager, polyethylene sharp tugged by canned
beans, not less expensively a bag (as a body in a body) in a bag
beans, not less expensively a bag (as a body in a body) in a bag
I do not mean body bags but the comparative inexpensiveness of, at least,
the uniformity of both bodies copulating to reproduce
as compared to what else might be introduced to the body (at what cost)
and a (not a can but) bag of beans here meaning dried
as carried possibly in further polyethylene bag(s), envelope, home.
what does not necessarily cost
some stressed goody brush, the profanity (of) our subsisting makes forwhat does not necessarily cost
a fruit that's gotta be palmed
to be carried with the arm at side
violation two shapes
the feeling for barrier no objector objects.
separate to be elastic than how they pertain.
without feeling for.
as an elasticity will have of (its) cover.
and of, as parenthetically, the possession.
one off, as of term and hedge,
board and border in truing woods.
the local water fit in trees.
board and border in truing woods.
the local water fit in trees.
Friday, April 8, 2011
BUILD
what an exciting formative experience it was
to bend like for dryer socks over for the wallet faux leather
and with nothing of value thrown in a bush, kids.
I don't dislike skunks
the eye and nose filled that way and sudden
to bend like for dryer socks over for the wallet faux leather
and with nothing of value thrown in a bush, kids.
I don't dislike skunks
the eye and nose filled that way and sudden
it's to learn you form and what's to last
lift like you do needlessly a button just to tug it left
Thursday, April 7, 2011
THE LOOK OF A MAN IT WOULD PAY TO KNOW
publique, to say clean masturbatory living
the suit and sensitivity to figures
of oppression
there's a large jawing space
a yonic frame such's the elbows
in masturbation, an act of both (and
however many more are available) handsthe cynic's dogged for being with
the dogs and dog-like, and is dog-like followedcynically by the hound
who is a cynical man
among dogs that form a circle
of I guess not cynicism but of dogs of cynic's dogs' cynicism
the erotic breathing (strained, fast)
not evidence of the rear seat man's masturbationbut the resonance as private
this is a bus
there is seventy five cents taped (and
you can see it tug at hairs) to his leg
beneath a rolled up leg
which is how I reuse words
currency realize is the anti-media
that it cannot be reconciled with the body
and other reasons like opacity
I wish that hadn't happened
or to the professor "Professorhear me out" heard out
it was something about masturbation to a class of seventy
Saturday, April 2, 2011
LEO / CETEGRANDIA / SIRENA / ELEPHAS / COLUMBA
Allegory of the Lion
Part 1
he's god
booning commander
and earth is open
Part 2 and 3
he was dead
motionless in a vault
like a shepherd
The Whale's Nature
no fish is so firm
as its image
tilling the sea upsets nothing
there are no cuts
when a lawn becomes
not a location
but a direction
this is like a whale
dilluting the small task
of its capture
Allegory of the Whale
they kindle a fire on the marvel of tinder it rests
precipitately loathe the disembarkation that's rest
and so
straightway rejoice, eat and drink and sink
into whatever hold or cushion
without wound until what season
when summer and winter contend
sucks in all those beguiled fish
while the weather can't stay as bad
as that
the floor of the sea
is the greatest tarrying mouth
that could swallow us
but instead has swallowed unbelievably, sweetly
the whale
The Mermaid's Nature
bunches of em, wholly a fish even though
you know
like a shipwreck of the body, why
any ruined sailor
would accept this fate is baffling
talk about mal de debarquement
it's like Guest, “into whose confidence
I have wandered”
don't stand for it, guy!
gurgling, varied water
know to avoid, wonder
is this really someone you want
to be talked piously to, as example
whose navel is already site
to such discursive quiet
it confuses you
or like Bernstein, “values like the butter”
and you like the idea of her?
Allegory of the Mermaid
the outside can serve
without service
what is betokened
in sturdy memory
undone
by what's before you
tone they deceive
quiet they deceive
all of sacrament
The Elephant's Nature
Indian, big, burly, mountainous
they are like sheep
to see one topple
is to witness a nightmare
and relive it not just in but in the act
of sleep
in mud unable to move
broad lengths of chastity
chastity is an elephant
Allegory of the Elephant
suffering wants to raise up power
to get off itself
suffering is the scab
growing to discontinuity
with the skin
so is the elephant on earth
and we on an elephant
an estuary elevated
its peace lumbering on if toward quick
ening we
cannot see the mouth
The Dove's Nature and Allegory
inverted precept
perception of worms, seed, bile
she is landed on America
nothing
as excellent
easily stirred
brought
FORMICA / CERVUS / VULPES / ARANEA
The Ant's Nature
nickels mount, acquire, spill over
there are nickels where ground oughta be
full paid in nickels, pennies involved
as begrudging subs in change back
imagine it, running about, seldom resting
just nickels
of wood and of weed there is nothing
nickels
when it becomes winter again
and it will
food in shelter, good
to fetch food beforehand
before it can be eaten
hastening away as if it were shameful
the corn to the cave bit all in two
so that it will not become useless, ripening
into timely maturity the book of Physiologus
words scurried over with ruinous focus
burning, as if in payment, ants
Allegory of the Ant
antagonize the work at hand
keep if only partially earning
to behave as winter would have
lack all sustenance, be tired, imprudent
ly food is our security and our ticket to winter
shucking off the tried hides of repercussed body
in the cave biting whenever and whatever
the ticket is, degrees of wheat, shunned barley
fed on the law
its very seed cast off
which is just ground yet upset
a foot planted, set down
The Hart's Nature
two customs:
draws the snake
peoples the Physiologus
a third:
swallows the creature
Allegory of the Hart
as if we were mad
as if when
we seethe
thereby does mankind have ingrained
the lord's law
The Hart's Nature
Part 2
consider the cello
even if there were a hundred together
up on land while all hale and sound
slows of tiredness and others come together
to help get control of the line
we still aid in the need of arrival
we are steadfast in heaven in this
pointed, we'll get on okay
drinks have to be let melt
brothers tire, helms open
hart's sound
laws fed with to boot
Allegory of the Hart
Part 2
there is no transformative hart
no singular, complete hart in plain
every ten miles
a hart
sprained
up popped to
be let as broadleaf trunks
look for now as good
as the other
The Fox's Nature
so you wanna bitch, red and ready
leave off all deliverance the mist
will anyway wear off
you pray constantly to sojourn naked
into a fount
and make it in
food, Pater Noster
drink and drenching
covenant of made, rotted way
out alight nearby the barnyard
so lit, manageable
get to it
cock, capon, goose, gander,
neck, beak, she'll haul off
that's why men hate her
Allegory of the Fox
Part 1
pecks repayed, imagine
that she go her way
a fur ride
for cleft-snared birds
quick to take off and be taken
a dull physical party
her teeth are like rain
as admirable, avoided,
dense
Part 2
like a film
for which there are more night showings
and dates are irrelevance
but put out for after
bids nipping to the belly's will
done wrong, the canniness
of placement of wounds
Judas was a reveler
a nipper, sayer
of virtuous shit dully
Herod was a fox
the book is right
foxes are always tortured
they are never punished
but just end suddenly, lived out
The Spider's Nature
some plans take shape on the tops
of houses
fields thus fashioned
swiftly and left
blood of no other favor
but that seizing network
and neighbor holes
Allegory of the Spider
an injured market assemblage, legs
plenty knotted, whatsoever public
look out for emblems you devour
this kind into someone, on them shouting
AMBULATORY
there is no room in my mechanism of sympathy
for their use
the docility and not the sharpness
of an edge
for their use
the docility and not the sharpness
of an edge
Friday, April 1, 2011
CHILL HOME FILTH
was written ten feet on the wall, Michigan,
of the Persian-owned discount mart
here
cloth
a delicate issue
they haven't chilled yet so
it's where I eat
seeds of unpacked garland figs
sucked out between primaries that
have some flavor yet, as the civic image
any, gets lost, of an attending stoves or
filling up as what's a developmental groove,
a pot or yonic (and this is not redundant) recession
a friend calls it a "trudge", the complex
to better note runners, their meanness
I said "they are a mean", is where I draw the word
but they're mean also, I guess
mean to be right, quiet, difficult (too fast) to contact
something of a lifestyles empty beside resting contacts, protected
in the bathroom of who thawed you out but's
you know, who has a lifestyle (puns
are contrapuntal, unite meaning,
are as much fugal model as...)
it's a complaint with the militaristic, that concern
be so forced away, shaped in tense packeting, folded in
not the strategies or guided meanings I use
because they don't trip at all, let alone often enough
but my strategies are as visible and left around
which is the word. state of
being left, or having been (sartre's on their dresser), or
what intelligence's left...
I am a jealous man.
struggle, as a narrative device, is something like
concealment of deliverance, mere antipathy
"this is beautiful"
he has to be told what's beautiful
let, also, a versus left
who's let, or let out to
to be left is if you like to let leave
of the Persian-owned discount mart
here
cloth
a delicate issue
they haven't chilled yet so
it's where I eat
seeds of unpacked garland figs
sucked out between primaries that
have some flavor yet, as the civic image
any, gets lost, of an attending stoves or
filling up as what's a developmental groove,
a pot or yonic (and this is not redundant) recession
a friend calls it a "trudge", the complex
to better note runners, their meanness
I said "they are a mean", is where I draw the word
but they're mean also, I guess
mean to be right, quiet, difficult (too fast) to contact
something of a lifestyles empty beside resting contacts, protected
in the bathroom of who thawed you out but's
you know, who has a lifestyle (puns
are contrapuntal, unite meaning,
are as much fugal model as...)
it's a complaint with the militaristic, that concern
be so forced away, shaped in tense packeting, folded in
not the strategies or guided meanings I use
because they don't trip at all, let alone often enough
but my strategies are as visible and left around
which is the word. state of
being left, or having been (sartre's on their dresser), or
what intelligence's left...
I am a jealous man.
struggle, as a narrative device, is something like
concealment of deliverance, mere antipathy
"this is beautiful"
he has to be told what's beautiful
let, also, a versus left
who's let, or let out to
to be left is if you like to let leave
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